Monday, August 25, 2008

SEMESTER 2 - COOGEE BEACH COMMUNITY CENTER

COOGEE BEACH






DESIGN EXERCISE 1
Building, site, landscape

Coogee is a vibrant community with a dominant Beach & Touristic culture attracting many visitors. A site study which involved mappings, tracings and a site model explored architecture as a response to the physical and socio-cultural landscape.

The work was based on the five categories offered by Anita Berrizbeitia and Pollak Linda in 'Inside Outside: Between Architecture and Landscape':

Reciprocity Materiality Threshold Insertion Infrastructure

SITE
1:200 Site Model IN PROGRESS






PRESENTATION






Threshold
Examines the point at which sufficient intensity begins to produce an effect.

...this point is the road between the rugby club and the oval

Map (Top left) - By taking the contour lines of the Coogee map and drawing them closer towards the residential part of the site, and further apart towards the ocean, i have mapped the public and private areas of the site (the urban density vs the open public spaces).

Map (Top right) - This maps the private zones and the public zones, but also highlights the beach culture which drives a strong force through the Coogee area, in a way eliminating this strict boundary.

One significant symbol at Coogee are the steps leading down to the beach. These are symbolic of the 'boundary' between the built and the natual, another threshold that is clearly defined physically, but becomes a form of reciprocity through its power to engage people with the environment.

Reciprocity
Diminishes separations between architecture and landscape.

Map (Bottom right) - Inverted figure ground relationship, revealing a map of Coogee whic highlights the natural landscape as opposed to the built environment.

Map (Bottom left) - This map reveals that architecture can be broken up into multiple elements allowing for engagement with the landscape. Within Coogee, the wide open oval allows for clear relationships between people, communities, buildings and the natural environment; the beach, pathways, parks etc.

The park benches located by the beach in the park are a clear example of reciprocity; built forms have been placed within a natural environment to attract people to sit down with others. The simple act of sitting on these benches is one which highlights the community engagement with the environment (physical and socio-cultural) of Coogee.




Infrastructure
A link, connecting things which are not necessarily compatible. It echoes the movement and intertwines activites.

Map - Renders the main roads darker and the residential quiter roads lighter, depicting the movement density within the site.


Map - This broadermap reveals the main roads, but of greater significance the Eastern Coastal Walk which is a key community activity in Coogee, connecting the suburn to other coastal regions.

Arden St is the main road connection for both vehicles and pedestrians to the commercial strip, beach and residential areas of Coogee.


Insertion
Engages a space with its surroundings.

Map - the Oval, the centre of the Coogee Community can be draw in light of the curved edge on the eastern boundary of the sity, This curved nature can be a representation of not only the centre of the site, but the central sporting community place in Coogee, where all forces meet and interact.

Within the wider Coogee, context, the Sandstone wall along the beach can be depicted as an insertion which engages a space with its surroundings initiating activity betwee the existing urban space (the ebach) and the new inserted space (the footpath) and architecture across the street.

In the same way, the 'chish n fips' cafe located apart from the traditional cafes, within the park, breaks from the urban continuum and allows people to engage with the environment.


Materailty
How materials ca support our reading of a place and be generator of sense

Map (Bottom left) - This conveys the dominance of brick architecture in the Coogee area by depicting the rough and solid materiality.

Grass - generator of light sensory experience; one that is fresh, organic and echoes vitality. This is represented with a lighter rendering.

Trees - Especially those present on the immediate site provide a dense cover, blocking light and views. This gives a feeling of enclosure and is expressed through a heavier stroke.

Sandstone - The natural bed of Coogee portrays a sense of heaviness and grounded nature, rendered against the flowing strong currents of the water. .

3D Conceptual Model


The spiral is a representation of the Coogee site in more ways than one

The twisting motion conveys the transient movement of people in such a touristic place, but the movement present in Coogee moves beyond the social realm.

A key part of the Coogee landscape is the ebach. Not only does it drive people from far and beyond, but it has informed a strong beach culture within the area. Situated on the Eastern Coast, Coogee is governed by the propelling waves which brush against the shores and the Standstone cliffs. This strong yet fluid movement present is present in the model which once propelled will spin conveying a sense of movement

The beach has profound influence on Coogee, through the backpacker accommodation to the surf and scuba diving stores. The beach culture has driven Coogee to become one of the most popular locations for tourists, outside the city centre. This force which has grown over the years is exemplified through the spiral which gradually moves in a wave-like direction, fluctuating. Each member of the spiral influences the next and thus impacts on the entire system. This is much like Coogee and it’s dominant beach.

Friday, June 13, 2008

ART GALLERY FINAL SUBMISSION

Ivette Bechara

z3217026

Sculpture Garden Artist: Jane Hanson




Interior Artists:


Robert Jacks Robert Rooney


Robert Jacks


Interior Sculptures: Robert Hague





PROGRAM / NARRATIVE


'An artist couple (dealers) indulged in the movement of the body as it crosses through overlapping perspectices, connecting viewers to art and architecture.'


This Narrative is based on Steven Holl's description of his addition to the Nelson-Atkins Museum of Art in Kansas City, Mo.,


The angular nature of the chosen artists' work, especially the sculptures, informed the design of my space.


DESIGN:


This Gallery was designed with a strong emphasis on three issues:



  • Light - Light enters through a roof designed to wash light through the central skylight above the circulaton space, from the back of the gallery where the undirect light from the South will create a glow for viewing paintings, and most importantly, through the open courtyard and central void throughout the design, allowing light to filter through the levels.

  • Open Courtyard - Designed adjacent to the small building, this space takes advantage of the open nature of the site and light. By opening up the courtyard to the ground floor, and forming a balcony on the first floor, the courtyard plays a central role in the engagment of exteror and interior artworks, as well as a role in drawing light into the space.

  • Most importantly, the gallery was designed based on a strong circulation path which guides visitors around the space in a rhythmic manner. The Staircase linking all the gallery spaces forms a strong sculptural element in the design.

The designed gallery responds to the two adjacent buildings on King Street for the following reasons:



  • On the gallery facade, the bottom and the top of the Second Level are aligned with two strong heights evident in 248 King Street (Large building adjacent).

  • From the rear lane,the gallery comprises of a typical design including a roller door for accessibility to the stockroom, and a rear entrance for the dealers. Although these elements are typicla of buildings on King Sreet, the galery has enhanced the typical 'blank' rear facade' utilising the undirect light from the south to enter into its back galery spaces.

  • To respond to 242 King Street, the gallery's courtyard is designed on this side where the advantage of having a small building adjacent is utilised to create a sunny open outdoor space which flows onto the internal space.

Paola, i have changed my model so that in the dealers' apartment, there are 'borrow light' windows connecting all the rooms. Ths now creates a free flowing space that is more open.



MATERIALS:


Concrete and Corten Steel. These two materials work together to give an 'old yet new' look to the gallery. Since it is located in Newtown, the bohemian yet cosmopolitan urban context will be respected through these two materials.




Site Model 1:500




MODEL

Without Roof














Sectional:































Entire Model:

























Drawings:

Drawing Sheets



Site Plan 1:500


Ground Floor Plan 1:100


First Floor Plan


Second Floor Plan


Section 1:100









1:50 Plan of gallery behind circulation




1:50 Section


Interior perspective vignettes (1-3)




Interior perspective vignettes (4-6)